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Baskets
- 1. Baskets
  2. Miniature Baskets
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- Basketry is probably the oldest and most wide-spread craft and art developed by the American Indians. Baskets can be made from many kinds of materials, but generally plant stems, either whole or split, are used. In some cases the stems or stalks are peeled for the bark or interior fibers, or root fibers and leaves and grass stems are used. Baskets can be woven out of almost anything, but it requires great skill and much knowledge. The roots, stems, bark, leaves and flowers of different plants produce the broad range of colors in most baskets. Identical plant materials gathered in different seasons may produce different colors. Some basketmakers used commercial dyes to obtain colors not available from plants or to alter or intensify the effects produced by vegetal material. But most basketmakers today prefer to produce their colors in traditional ways or experiment with plants near their homes. Basketmakers must be knowledgeable about which plants in their area are suitable for the kind of baskets the maker intends to create and the colors desired: where they grow, their special properties, the best season to gather them, and how they must be processed and stored. This kind of knowledge is passed down from one generation to the next.
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Fine Art
Jewelry
Kachina Dolls
- 1. Traditional Dolls
  2. Contemporary Dolls
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- Katsina dolls, or kachina dolls as many people know them, are representations of the Katsina spirits. The carved figures are given as ceremonial gifts to young girls by the Katsinam. Each gift represents a prayer wish for good health, growth and fertility. The figures are carved from cottonwood roots with knife and rasp. Carvers fashion simpler dolls from several pieces fit together with tiny wooden pegs. Each doll is painted and decorated to accurately depict important features of a specific Katsina.
  
  Since the mid-20th century, these carvings have developed as an impressive art form, with known carvers working in several general styles. Some carvings exhibit traditional, stylized forms, while others reflect a modern trend toward more active, lifelike figures. Innovative sculptural forms and multiple-figure tableaus are the most recent trends. Few American Indian arts appeal so powerfully to both the eye and the imagination as these unique creations by Hopi carvers.
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Misc
Navajo Folk Art
Navajo Textiles
- Navajo textiles have been a popular collectible item for more than 200 years, when other Indian people, as well as the Spanish, sought them as prized possessions. In the early 1900s, traders encouraged weavers to create regional designs with distinctive patterns and colors, including using commercially dyed wool and other materials. Many of these styles, or variations on them, continue today.
Pottery
- Linked to an agricultural lifestyle, pottery is an art form most utilized by tribes of the American Southwest. Pueblo cultures adapted the soils of their environments, creating beautiful vessels meant to serve utilitarian purposes. Despite the everyday intention of their creations, American Indian potters took great pride in their work. Pottery artists today combine traditional and contemporary techniques, methods and designs, often creating stunning pieces of artwork.
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The Cutting Edge by Diana Pardue

The Cutting Edge by Diana Pardue

The Cutting Edge by Diana Pardue

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Item #:30503

$3.99

CUTTING EDGE

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The Cutting Edge: Contemporary Southwestern Jewelry and Metalwork by Diana Pardue

From the artistic achievements of Preston Monongye, Mission/Mexican, to the intricate designs of Michael Kabotie, Hopi, the beauty and innovativeness of contemporary Southwestern jewelry and metalwork is celebrated in the recently re-released publication ''The Cutting Edge.'' Diana Pardue, head curator for the Heard Museum, provides detailed backgrounds about artists such as Harvey Begay, Navajo, Charlie Bird, Santo Domingo/Laguna, Charles Loloma, Hopi, and Charles Supplee, Hopi/French. Illustrated with brilliant photographs that appear to leap from the pages, readers will not only admire the well-crafted treasures, but respect the individual talents that created them.' By Diana F. Pardue, Heard Museum

softcover, 47 pages

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